THE WORKSHOP / AN OPEN PROCESS

Not every capture
is complete.

Published models can have gaps or areas awaiting review. These records are flagged for further assessment; availability and reconstruction quality are shown separately.

Statue recorded as Aphrodite Underwater, photographed on museum display

01 / AA-001

Aphrodite Underwater

Photographed through the glass of its case, and that session recorded no full camera-position data, so the alignment rests on the images alone. The draped surface still resolves cleanly.

Released: free to download, CC BY 4.0Explore the capture ↗
A sculpted head resting on one hand, recorded under the descriptive project title “Weeping Lady”

02 / AA-002

Weeping Lady

The back of the head was never in view: the piece stands against the back wall of its case. What closes that side is a smooth surface following the head's curvature, not a reconstruction of anything photographed.

Released: free to download, CC BY 4.0Explore the capture ↗
A statue of Aphrodite with a dolphin on museum display

03 / AA-003

Aphrodite

A different statue from Aphrodite Underwater despite the shared name. The two records have separate capture dates; no relative timing is inferred.

Released: free to download, CC BY 4.0Explore the capture ↗
Thuya's funerary mask on museum display

04 / AA-006

Thuya Mask

The gilding and the painted eyes read as real colour because the texture is photographic, taken from the same 24 images that built the geometry.

Released: free to download, CC BY 4.0Explore the capture ↗
Khonsu

05 / AA-011

Khonsu

The heaviest record in the archive at 468,000 faces, roughly ten times most of the collection, which is why it is the slowest to appear.

Released: free to download, CC BY 4.0Explore the capture ↗

Captures not yet released.

Read the record, its method and its limitations. These previews are separate from the released download collection.